A young woman, night, an American feature film. She enters a house, a dark corridor, a thriller. While she forces her way into an unknown space together with the viewer, the cinematographic image-producing processes go off the rails all around her. The rooms through which she goes telescope into each other, become blurred, while at the same time the crackling of the cuts and the background noise of the sound track – the sound of the film material itself – becomes louder and more penetrating. The pace becomes frenetic, the woman is being pursued by invisible opponents, she is pushed against a mirror, walls of glass burst, furniture tilts and the cinematographic apparatus which the heroine begins to attack in blind fury also suffers. The images jump and stutter, the perforation holes tilt into the picture, the sound track collapse inwards in a will o’ the wisp destruction scenario – something which only film can do so beautifully. In ten minutes ‘’Outer Space’’ races through the unsuspected possibilities of cinematographic errors – a masterpiece. Stefan Grissemann Isabella Reichert
http://www.tscherkassky.at/content/films/theFilms/OuterSpaceEN.html
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Sunday, January 31, 2016
Other Summaries for Outer Space (1999)
Friday, January 29, 2016
Outer Space by Peter Tscherkassky in1999
Outer Space was made by Peter Tscherkassky,
who is an Austrian avant-garde filmmaker, in 1999.
In my opinion, this film may be about
lady's nightmare, because everything restore as same as the beginning.
When I saw this film, I felt uncomfortable
and horrible. This is because Peter broke everything by flashing. I was not
easy to see a complete image in the film. And the sound was continuous pause. I
means that the sound is not fluent.
I think that breaking down is main idea in
this film, so I could it in my design. For example, when I design a building, I
may separate the building into many spaces. Therefore, there would be many
diversity spaces in the building.
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